globalization and japan

Globalization is present in Japan in everything from fashion to fast food. Having one of the world's strongest economies, Japan sends its influence everywhere and also brings in many new trends and cultural elements. Restaurants from India, Mexico and everywhere in between are frequented by Japanese people sporting everything from bohemian to American "Grease" style outfits. The global influence on Japanese popular culture is evident everywhere you look, but it is not only the newest trends that are reaching and leaving Japan's borders. Religion in Japan is the result of globalization that occurred as early as 5th century BC when Buddhism came to Japan from China and Korea. The Japanese people currently acknowledge three major religions in their culture: Shinto, Buddhism, and Christianity. Japan's origin and political lineage were set up by ancient Shinto traditions. This history is still evident today in many shrines scattered throughout its cities and landscapes, but now one can find many Buddhist pagodas such as those pictured and buddha statues alongside these shrines. These two religions exist side by side in Japanese culture and do not conflict in the eyes of most Japanese. Another religious global influence has been the spread of Christianity which arrived with missionary Francis Xavier in the 16th century. Though it is less prevalent than the other two traditions, Christianity influences traditional and popular elements of Japanese culture. Weddings are often conducted with a Christian priest and vows and jewelry often highlight virgin Marys and crosses. The foreign influence in Japanese popular culture has boomed, but with every visit to a shrine or friends' wedding, we are reminded of the culture than reached these shores without the help of internet sites and TV shows. For more information on the mixed religion of Japan, click here.

photographing japan

children going to new year's event, Nigata, 1956
http://www.hasselbladfoundation.org/hiroshi-hamaya/

women harvesting rice, Yamagata 1955
http://www.hasselbladfoundation.org/hiroshi-hamaya/

Hiroshi Hamaya, a Tokyo native born in 1915, started photographing people at the age of 15. He went on to be a self-taught freelance photographer from the age of 21 and in 1960, became Magnum's first Asian photographer. His early work focused on the relationship between humans and nature. One of his first collections documented a snow village in Japan in 1946 and from there on he travelled around the world continuing his focus on people and their relationship to their surroundings. He covered the demonstration against the US and Japan Security Treaty but then returned to his original focus and began work on an aerial photo series. He died in 1999 but not without making a huge impact on photography in Japan and worldwide. His black and white striking landscapes and emotion-filled portraits earned him the Hasselblad Award in 1987. Hiroshi captured Japanese and other cultures at their roots, showing the labor and environment out of which our current societies grew. He stated that he has learned a lot about Japanese people by observing nature, and he has surely opened up this connection through his photos. In a world of brightly colored purikura, animae, and bustling streets of a nocturnal Tokyo, Hiroshi Hamaya's photos speak to me and my passion for the natural world and the human connection with it: a connection that technology and artificiality separates more and more each day. Click on the links for an interview with Hiroshi Hamaya and examples of his nature photography.

"I like the idea that my work isn't intended only for the Earth, but for the entire Universe!"

sources:
http://photojpn.org/news/modules.php?op=modload&name=Reviews&file=index&req=showcontent&id=46
http://www.hasselbladfoundation.org/hiroshi-hamaya/

japanese pop culture

Walking into a Japanese arcade, you become lost in a maze of flashing coin machines, spinning colored lights, and claw machines groping for everything from stuffed animals to ice cream. Navigating farther past the horse racing simulator and monster spider war games, you will most likely come upon a collection of photo booths radiating an ambiance of pure white light to which there is no comparison. Groups of girls buzz around from booth to booth while giggles and bells tinkle from every corner. You have entered the world of Purikura, the Japanese version of the picture booth that is a must-do for friends of all ages. For about 400 yen you and your friends can enter a booth, such as the one in the first photo, and take 4 to 6 photos with the backgrounds of your choice. When you have taken all of your photos, you can personalize them on the screen just outside the booth. With the pens provided you can write anything you want and add the ever-so-cute hearts, stars, strawberries, and flowers etc. such as those in the second photo. Purikura was introduced in Japanese arcades in 1995 and continues to inundate Japanese pop culture. One of these booths was one of the first places my Japanese friends and I visited, and I have found it hard to come by a cellular phone not covered in Purikura stickers and backgrounds. The capabilities of Purikura machines varies from simple amateur editing tools to high fashion camera angles and wind machines. More information of the creation and evolution of the Purikura machine can be found here, including this video. Happy editing!

japanese people

The Japanese people have been growing and changing over thousands of years, and yet they have not lost the essence of their beautiful and delicate history. Traveling to Kyoto this past Saturday for the Kabo-san flea market in the Toji Temple, I experienced a moving example of this deep tradition. Hundreds of people young and old gather to buy or sell everything from postcards to pottery to potatoes. Women peruse through racks of kimonos while men bargain down the price of a second-hand watch. After doing a little research, I came to realize that this market has been around for 700 years. Merchants come to share the products of their trade whether it be making beaded jewelry or rice and beans like the man in the third picture. I can imagine the transformation that this market has gone through throughout the years. The grounds of the shrine and statues of Buddha as seen in the first two images remind you of the roots of the people and the culture. Shrines and temples scattered throughout residential areas are frequented by Japanese people who openly show their devotion and prayers to the ancient Shinto and Buddhist deities. The Japanese may be on the cutting edge of pop culture and technology but they have certainly not lost the connection to the ancient traditions that have shaped their lives for centuries. Selling signature stamps in a world signed off by keyboards and subject lines, the man in the last picture illustrates the beauty of sharing a simple trade: a lesson of culture we should all take note of.

For more information on the Koba-san market visit this link: http://www.dailypress.com/travel/destinations/local/dp-trav_kyotooct31,0,6719642.story

neighborhood hirakata

The neighborhood of Hirakata is one I am growing to learn intimately. Narrow winding streets connect small locally owned businesses such as the bike shop shown in the first picture. Husbands and wives work side by side to humbly provide the services that keep the city up and running. Unlike the modest advertising, the assistance you receive once inside leaves nothing to be desired. Whether it's polishing a bicycle or creating a meal, the workers of Hirakata take painful attention to detail to make sure you leave with everything you need and a little more. Besides the endless generosity, another perk of living in the Hirakata neighborhood, is the accessibility of everything by bicycle. Shown in the second picture, foreigners and locals alike are seen doing their daily commute and errands atop two wheels with everything they need fitting nicely in their basket. Navigating the city fully exposed to the elements, the people of Hirakata connect with their neighborhood in a way that many people never will. But as more and more days and miles go by, I hope to know my new neighborhood just as they do.

early impressions

I would guess that in most minds, Japan elicits images of ancient shrines and castles built and preserved throughout the centuries. Samurai with top buns and geisha fill the castle streets while imaculate tea ceremonies are carried out within paper walls. These kinds of images definitely fill my mind. The top image, taken in Kyoto, relays my initial impression of the pagoda-lined landscapes and tourist filled streets I expected to see in Japan. Besides a modest understanding of Japan's rich history, an image of its ever-advancing technology and arcade entertainment comes to mind as well. I can't help but think of the video game-like scenes from Lost in Translation with glittering signs and endless sounds of change dropping into piles. The second image, taken in Osaka, of a little boy in an arcade with his father portrays this flourescent world of pachinko and pixels that also dominates my new understanding of an ancient country.